My main mode of work are video bricolages of my own footage in different formats, archive materials, drawings and animated visuals. In this montage or collage practice, I will be very interested to try out scientific renderings as material, especially when they are so appealing and revealing of natural processes as Guillermo’s work. 

I plan the artwork as a crescendo of intensities that starts a solo walking performance, extends to a group performance, and transfigures both fieldwork and performances into an installation featuring bioart and music. These elements are woven together through biotechnological manipulation of materials derived from my body and from the site, for instance bodily fluids and soil. The crescendo of Lament will chant more-than-human death and take the audience into a space where grief is dignified. Its aesthetic will convey strong bodily affect and ideas of interconnectedness. 

These Relations Are Forever uses the thematic thread of Endocrine Disrupting Chemicals (EDCs) to weave a speculative story of ritual and healing, where scientific and policy outcomes are intertwined with artistic processes. It will bring together the knowledge of four researchers, whose work sits at different stations along a flow of chemicals; from agriculture via law and policy through bodies and into water.